Jul 192011

Hellywood (and all of pop culture) uses the same symbolism over and over. It’s beyond coincidence. And it all just so happens to be mason symbolism. If you google – 33rd degree lucifer – you will see what the masons really think of the all seeing eye. Why do you figure they would bother flooding us with this symbolism? Just based off the title and poster I can garauntee that the Sorcerer’s Apprentice glorifies witchcraft and occultism and promotes anti Christian behaviour. Nicolas Cage seems to choose (or be used) in a lot of movies that use the same symbolism. Hmmm.
Video Rating: 4 / 5

****I OWN NO COPYRIGHT TO THE VIDEO**** **Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for “fair use” Prof Griff gives the low down to what really goes on in the hip hop world and how the big boys at the top control the music industry to oppress and dumb down the public using various mind control techniques. He also goes on to expose the ritual sacrifices that were made regarding very well known hip hop artists and celebrities in Hollywood who had to make the ultimate sacrifice of a life to climb their way to the top.

Jul 042011

am sure that after watching this video you will always be aware of the same Illuminati / Masonic symbolism in movies. There are thousands of movies with Illuminati symbolism in them, I show very few. YouTube search for more. It is incredible what you will see. Please note that I have put in very few examples of the 9/11 symbolism. This is because so many films have 9/11 symbolism (before Sept 11th 2001) that it would make an hour or more of footage. A few people have already made videos dedicated to 9/11 symbolism and you can watch some of them here: www.youtube.com The Illuminati believe that to control the media is to control the public. This is one of their stated agendas. Remember, finances, media, law, government and education are the areas they targeted as being the best to dominate society. How do they do this? They don’t go to a film producer and say, “Oh, by the way, we’re Illuminati members and we want you to make a movie that promotes our agenda”. (Remember, they aren’t stupid, either). Instead, they will form a small investment corporation that funds movies with ideas that they like. They quietly hire actors, producers, directors and scripts, but they never mention their affiliation publicly or why they are doing this. Since the Illuminati cannot reject their existance, they put their agenda in movies, TV shows and games so our brain filters it out as sci-fiction. Note: Walt Disney is used to manipulate / program children. Exclusive Interview with an Ex
Video Rating: 4 / 5

(Part 2 of 2.) Charles from Austin, Texas (another Charles than the first caller) is a Greek Orthodox Christian. During the second half of his call he talks about cognitive dissonance and open-mindedness. Segment of The Atheist Experience #635 of December 13, 2009, with Russell Glasser and Martin Wagner. Topic: Live calls. This entire episode can be watched on Blip.tv: ► blip.tv What is The Atheist Experience? The Atheist Experience is a weekly cable access television show in Austin, Texas, geared at an atheist and non-atheist audience. The Atheist Experience is produced by the Atheist Community of Austin (ACA), a nonprofit educational corporation to develop and support the atheist community, to provide opportunities for socializing and friendship, to promote secular viewpoints, to encourage positive atheist culture, to defend the first amendment principle of state-church separation, to oppose discrimination against atheists and to work with other organizations in pursuit of common goals. ► www.Atheist-Experience.com ► http ► www.NonProphetsRadio.com Watch The Atheist Experience live (Sundays) ► tinyurl.com Support the ACA (donations/membership): ► www.Atheist-Community.org ► www.Atheist-Community.org ► Blog: AtheistExperience.blogspot.com ► Wiki www.IronChariots.org ► DVDs atheist-community.org ► Cartoons: Atheist-Community.org ► E-mail: tv@atheist-community.org
Video Rating: 4 / 5

Apr 222011

This is a continuation of the Librivox series on the work and seminal book of Evelyn Underhill, “Mysticism-A Study in Nature and Development of Spiritual Consciousness”, Mysticism and Symbolism. “When love has carried us above all things into the Divine Dark, there we are transformed by the Eternal Word Who is the image of the Father; and as the air is penetrated by the sun, thus we receive in peace the Incomprehensible Light, enfolding us, and penetrating us.’ Underhill’s greatest book, Mysticism: A Study of the Nature and Development of Man’s Spiritual Consciousness, was published in 1911, and is distinguished by the very qualities which make it inappropriate as a straightforward textbook. The spirit of the book is romantic, engaged, and theoretical rather than historical or scientific. Underhill has little use for theoretical explanations and the traditional religious experience, formal classifications or analysis. She dismisses William James’ pioneering study, The Varieties of Religious Experience (1902), and his “four marks of the mystic state” (ineffability, noetic quality, transcience, and passivity). James had admitted that his own constitution shut him off almost entirely from the enjoyment of mystical states thus his treatment was purely objective. Underhill substituted (1) mysticism is practical, not theoretical, (2) mysticism is an entirely spiritual activity, (3) The business and method of mysticism is love. (4) mysticism entails a definite psychological

Apr 172011

Question by charlesdclimer: What is the symbolism or superstition on New Years with blackeyed peas and hog jowl?
Here in the deep south in the States we eat Hogs Jowl and Black eyed Peas. I like mine with corn bread and greens with fried potatoes. I’m not sure what the symbolism or superstition is but we’ve been doing it for several generations and i like it!

Best answer:

Answer by lulu
Eating black-eyed peas is supposed to bring good luck for the entire year.

What do you think? Answer below!

Mar 192011

Hidden Symbolism of Alchemy and the Occult Arts

Hidden Symbolism of Alchemy and the Occult Arts is presented here in a high quality paperback edition. This popular classic work by Herbert Silberer is in the English language. If you enjoy the works of Herbert Silberer then we highly recommend this publication for your book collection.

List Price: $ 9.99

Price: $ 9.99

Sep 182010

Question by Raziel_angel: What are some symbolism and elements in “sword and sorcery” fantasy?
I read up on stories of Kull the conqueror along with Conan the barbarian, and thought about doing some artwork in the sword and sorcery theme. What are some of the elements and symbolism that occurs in the style?

Best answer:

Answer by Toesocks
I have researched symbloism heavily for about a year or two now for my won fantasy stories, but here are a few.

Lightning bolt or flash: Power–Strength
Snake: Witches and Wizardry
Gushing blood, or blood in the form of a river: War/Death
An eagle: Creation
Arm and Hammer: Mankind/Inventing
Eye: A higher power–a source
Sword: War (obviously)
Staff: Magic (also, very obvious).

Hopefully those can get you started!

Know better? Leave your own answer in the comments!

Sep 042010

Mudras & Hand Symbolism: Mudras of the Egyptian Tradition

The ancient Egyptians possessed a fount of occult and mystic wisdom. In those days the Egyptian mystical brotherhoods or “Mystery Schools” at Luxor, Thebes, Memphis, and Heliopolis, collectively represented one of the several portals leading to the Universal Great White Brotherhood whose existence was established by cosmic beings for the purpose of advancing the evolution of man through the application of spiritual disciplines and the apprehension of Cosmic laws. These teachings were given in secluded places, in subterranean temples, and at night under the canopy of the heavens. Many eminent Greek sages studied at these Egyptian schools of metaphysics, among whom were Plato, Thales, Pythagoras, and Democritus. In these Mystery Schools, the goddess Isis was especially venerated. She personified Nature and according to one Greek interpretation she signified occult knowledge. Isis also represented the Mystery Schools and those undergoing training therein later emerged out of her womb and became known as the “twice-born,” for they were newly born of the Holy Spirit.

Contrary to what is popularly believed, the Great Pyramid of Cheops was not built as a tomb, but as a “House of Initiation,” a place where the teachings of the gods were given by the “Master of the Secret Places” to those who successfully passed the severe tests of earth, water, air, and fire. Spiritual disciplines were taught that ultimately transformed each spiritual aspirant at the point of their graduation into an embodiment of a god, or in our modern metaphysical vernacular, “a perfect human being,” or a “Christ,”–an anointed one. In these sacred temples of learning and wisdom were to be found countless statues, most of which were considered and worshipped as gods by the ignorant masses, and as idols by the equally ignorant religious fanatics of succeeding generations. Those involved with the initiatory temples, however, regarded these statues as teaching devices and used them to portray certain aspects of the microcosm and the laws or principles of Nature.

Many metaphysical disciplines were given to the tyro to practice in these Mystery Schools; among the spiritual exercises given were the mudra disciplines. Some of the statues and pictograms of the Egyptian gods are portrayed with certain mudras. The neophyte was taught to assume these mudras while conducting meditation, breathing, and visualization exercises.

Below we present just a few of these Egyptian mudras that you may incorporate in your daily spiritual routine. You may choose to do only one at a time in a single session. This is permissible; however, these Egyptian mudras, would confer the greatest effect when all are done together successively in a single work-out.

1) The Sun-Bearer Mudra. Place both hands outstretched above the head holding an imaginary sun. Palms upward. Visualize the microcosmic sun as a divine fiery radiance–it is in fact the presence of your Higher Self. Imagine the rays of the Higher Self pouring into your upturned hands. Maintain this visualization and hand position for five to ten minutes. Chant the mantra, “HU” over and over. This Egyptian mudra helps one to absorb higher energies. The hands being positioned beyond the lower layers of the aura and above the head makes it easier for one to contact the magnetic-field of the superconscious Self and thereby empowering the lower aspects of the microcosm. Unless otherwise indicated, let the breathing rhythm be natural in this and the following exercises.

2) The Cross-Chest Mudra. This is an Egyptian gesture of royalty. The left hand is placed on the right side of the chest, and the right hand on the left side-as may be seen in the statuette of Osiris. As you will recall, this is the Sign of Resignation. If you are standing or sitting upright with the spinal column erect instead of in the lotus position, keep your feet together. This will close the circuit at the lower region and allow energies to circulate. Take a deep breath while in this position and hold it for as long as comfortable. Then release the breath slowly. Repeat three times. After three cycles of deep breathing maintain the mudra for five to ten minutes more while breathing normally and chanting the mantra, “AIM” several times. This mudra draws the energies of the aura into the physical body, especially in the chest region. It helps to strengthen and awaken psychic centers there such as the anahata chakra, or heart center. The thymus gland being empowered via the heart chakra, the immunity level of the physical body would naturally be fortified. This is one of the mudras taught by the Rosicrucian Order, a mystical fraternity perpetuating the ancient occult wisdom. According to the Order’s oral tradition it was founded in ancient Egypt by Thutmose III–one of the enlightened pharaohs that ruled the land of the Nile. This mudra integrates the positive/solar and negative/lunar forces in the body. Divine power in the physical system results with the use of this hand pose.

3) The Praise Mudra. The members of the Egyptian Mystery Schools were well versed in the meaning and art of praising their gods. The temple hierophants knew that the secret effects of praises were upon the person giving the praise rather than the god receiving it. About two thousand years ago we were told to love our enemies by an Initiate of the Egyptian Mystery School. Why? Because love ennobles us. It does not matter if another deserves our love or not. The act of loving unfolds our divine nature and causes a greater force of our Higher Self to indwell in the physical form. The same principle applies to praising God, or any higher being more advanced than humanity. Divine beings or the Source of all do not care if we praise or adore them in any way. They are egoless and therefore unconcerned if we respect them or not. In religious and spiritual teachings channeled down from the intelligences of Light, we are taught to give praise and thanks to higher powers. This is not for their sake but for ours. The celestial beings are concerned over our spiritual development. The act of praising with a sincere and selfless heart causes us to be energized with a renewed power and a zest for life and is a healthy and a most essential spiritual discipline. Although praises may be given in any bodily position, the Egyptian Masters have found that a particular pose with a certain mudra offers a maximum effect. This is done by squatting with the right knee touching the ground while the left knee is raised. The left hand closed in a fist, is placed on the chest The right arm is extended upwards to the side of the head and the hand also is in a fist pointing upwards. A variation of this is to use the right index finger to point upwards. Anubis, the god of the dead, has modeled this pose nicely for us. Maintain this position for 5-10 minutes while giving silent thanks to God for the life within you. During which time breathe normally while chanting the mantra, “EMA-HA.” In a little while you will feel regenerated. You will feel joy pervading your being.

4) The Solar Plexus Energizer Mudra. All felines are symbols of solar energies. So it is apt that Sekhmet, a feline goddess as depicted here, assumes a secret pose that strengthens the sun center of her physical being, or in other words, her solar plexus. The solar plexus has nerves connecting to almost every organ in the body. By channeling energies or concentrating it in the solar plexus, we cause our organs to function optimally. But one must be careful, as over-polarization might cause problems. Assume this mudra while standing or sitting. Breathe normally. Close the left hand into a fist and place it over the solar plexus as shown by Sekhmet. The right hand, should also be in a fist but placed to the side of the body. After 5-10 minutes of maintaining this position reverse the hand positions. The right hand in a fist over the solar plexus, while the left hand to the side of the body. Do this for another 5-10 minutes while mentally asking your Higher Self to energize your solar plexus and also chanting slowly the mantra, “RA-MA” about 9 times.

5) The Magnetizer Mudra. This mudra has a twofold purpose. It is used to absorb pranic energies from the environment or from some specific source; it likewise is employed for the purpose of magnetizing one’s aura so as to strengthen it against invading metaphysical forces. This mudra confers various benefits, it may improve one’s health, augment one’s store of psychic energy, acquire charisma, etc. To execute this mudra one may sit or stand, or assume the asana as portrayed by the goddess Nephthys: place the left foot underneath the buttocks and sit on it. The right foot is placed on the ground with the knee pointed upwards. Now put your two hands in front of you, palms outwards. If you are doing this mudra to absorb energies then visualize and feel the energy from infinite space streaming into the palms of your hands as sparks of golden and silvery lights. Or if you wish to attract energy from a specific source–from the sun, for instance, then visualize and feel the “yod” or “rain” drops of power entering your palms from the sun. Do this for 5-10 minutes. Visualize the cosmic forces entering your being as you inhale.

To magnetize your aura with this mudra, simply imagine and visualize a flow of golden energy flowing from your palms and filling your aura–a circumscribed space surrounding you. See your aura being permeated with this effulgent energy. This should be done for 5-10 minutes. Visualize psychic energy flowing from you as you exhale.

Whether you are absorbing energies or magnetizing your aura, chant the following mantra several times while visualizing: “EMA-BA.” This mantra will anchor the power to wherever you are directing the energies. Chanting may be done verbally or mentally whichever is comfortable and appropriate.

The mudra is also used to confer or empower others with energy. After generating the necessary energy, focus your palms to the back of the recipient about an inch away from the physical form. Then, visualize energy flowing from the palms of your hands and into the body of the subject. You may visualize the energy as a brilliant white, silver or golden light. While thus channeling energy from your palms, move them upwards and downwards along the right and left sides of the spine where the ganglia of the nervous system are located. This operation will have a healing and strengthening effect on the subject and if done in conjunction with specific powers possessed by the operator–these could also be transferred or channeled.

6) The Pyramid Mudra. This mudra strengthens the negative polarity of the physical body and generates a strong magnetic force for attracting cosmic energies of the positive polarity, thus balancing the “Yang” and “Yin” of the microcosm. This mudra is to be done prior to the magnetizer mudra above. The animated image shown is an excellent portrayal of this hand-mudra, though it is unnecessary to move your head as shown by the toon-image.

To do this mudra, simply place the palms of your hands together and above the head. Place your two feet together while in the standing position. Now hold this position for 5-10 minutes while chanting and vibrating the word “Ma.” After several minutes of chanting, inhale deeply and then exhale and hold your lungs empty for as long as comfortable. When you need to breathe, do so, and then as you exhale, repeat the above. Do this special breathing for several cycles, after which you may continue with the other mudras.

The above represent just a few of the Egyptian mudras that have come down to us, the explanations of which are simply guidelines. Feel free to improvise and experiment.

[Note: This paper contains images which may be seen as originally published at our website]

Copyright © 2006 Luxamore

Leonard Lee aka Luxamore

Metaphysical teacher, counseler, healer and merchant of occult/magickal items of Indonesia.
Magickal Items from Indonesia: talismans, mustika pearls, kerises, etc.
Magickal Bezoar Mustika Pearls from Indonesia.

Albert William Ketèlbey (1875 1959), born Ketelbey, was an English composer, conductor and pianist. In the Mystic Land of Egypt – a beautiful melody complimented by photos of historic Egypt. This piece dates from 1931, and was announced as the companion seller to In a Persian Market. Indeed, its structure and melodies share a great deal with the former hit. Since the composers death it has become recognised as one of his best pseudo-oriental pieces, and has had several excellent recordings. Part of the deterrent from performance of this music may have been the large orchestra required, with saxophones, banjos, mandolins, and a marimba or vibraphone, as well tenor soloist and male quartet. These colourful resources are not essential, and in fact most recordings manage with perhaps just one extra sonority. The Music: A detachment of native soldiers approach and pass through a village, then a song from a boat on the Nile is heard softly across the water. A short passage depicting an Arab playing his pipe leads to a repetition of the song-melody by the full orchestra. The soldiers now return and some of them sing the song in harmony. A few bars of the melody bring the piece to a quiet conclusion.Video by Alfred with the help of Choy Hong (Jasmine) Grech, Mosta, Malta. © jasalf5959 – 2010 Music is copyrighted by its corresponding owners. No infringement of copyright is meant and if it does infringe, please message me and I’ll remove it

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Aug 192010

Mudras & Hand Symbolism: Hand Mysteries? Part 3

[Note: This paper contains images which may be seen as originally published at our website]

In ceremonial magick of the Western Tradition, the hands and fingers are used for various purposes among which is to trace symbols, sigils, and signs in a consecrated space or object. They are also utilized to banish, invoke and direct forces to certain targets. In contrast to the adepts of ceremonial magic, stage magicians apply the hands to entertain audiences with their many illusory tricks. They call this, “prestidigitation,” or “sleight of hand.” In prestidigitation, the hands are used in various ways to deceive and mislead the eyes, and also in guiding the mental focus of the audience. The saying that “the hands are quicker than the eye,” is a well-known cliché used by stage magicians.

While still on the topic of entertainment, we have to consider the applause. The clapping of hands in modern usage is an expression of delight, agreement, an accompaniment to music, or appreciation for someone’s stage performance. Metaphysically, it is said that ovation dispels the presence of angelic beings. These creatures of light dislike the vibrations produced by the applause. From the occult point of view, therefore, clapping is regarded as a negative practice.

In dance, gestures of the hands are essential in conveying or expressing symbolic messages and metaphorical meanings. They possess a rich vocabulary and tell non-verbal stories that evoke our primordial emotions as well as divine sensations. This can easily be seen and experienced in the hula-dance of the Polynesians. These dances and hand movements narrate various myths of the land that transports us to another world. In Hindu classical texts regarding dance, hundreds of hand gestures are mentioned, together with descriptions of the thirteen positions of the head, thirty-six of the eyes, and nine of the neck. In the Hindu dances based on the Carnatic music composition, the following mudras are used among many others: Raaga mudra, Tata mudra, Aachaarya mudra, Naayaka mudra, Vamsa mudra, Biruda mudra, Lakshana Grantha mudra, Prabandha mudra, Sthala mudra, etc.

Although the many poses of the hands in traditional dance may portray symbolical meanings, they are also functional in the sense that they modify the morphogenic or auric field of the human organism, and likewise meant to regulate the energy flow within the etheric body.

There are numerous forms of dance or dancing style prompted by the various levels of the psyche. Basically, we can classify three types of dance originating from the subconsciousness, consciousness and the superconsciousness. The instinctive or primitive dance originating from the subconsciousness is well known and is displayed by both man and beast. Most of these movements and their awkward gestures usually are mating courtship dances and the release of pent-up energies. Cultural dances evolved from these unrefined movements. They are a projection of what the psyche understands of beauty, grace, form, rhythm, etc. The third category may be called mystical dances. They originate from higher levels of consciousness beyond the reach of the conscious mind, but whose energies may be channeled through the physical body producing divine movements. Some forms of dancing are the amalgamation of all three classifications. The traditional dancing styles of Eastern countries such as India, Thailand, and Indonesia are typical of these. In these dances mudras are often formed to alter the consciousness of the dancer and indirectly affect the consciousness of the spectators. About 16 years ago the writer personally witnessed one of the traditional Javanese dances performed by a very talented young man. The dance was called “Kesadaran,” or “Consciousness.” We were spellbound from start to finish.

Music often make us move and sway our hands, feet, and body unconsciously. Why does it do this? For the simply reason that musical energies have the power to possess our beings and cause an altered state of awareness making us lose a certain degree of control over our physical motor system. All beings are susceptible to the influence of music. Animals and plants are especially vulnerable. In Greek myth we often hear tales of Pan, the personification of Nature, dancing to the mystical tunes of his pan-pipes, and all those who heard him play would also join in the fun, the mirth, and the merry-making. Similarly, when the Greek sage Orpheus played on his lyre, all became entranced, even the rocks listened attentively.

In the Hindu tales of the gods, as found in the Bhagavata-Purana and the Gita-Govinda, Krishna is said to have enchanted the gopis, or shepherdesses of Vrindavana with his lila dance and magical flute-playing. Each gopi was so mesmerized and distracted by Krishna that they would forget everything else around them. They would become so one-pointed that they would believe that they were the only one present before their Lord. Evidently, music has the power to cause ecstatic feelings.

The god Shiva is often portrayed in iconography in a dancing pose as Nataraja, or “Lord of Dance.” Representing the Consciousness aspect of Nature, why does Shiva engage in a Cosmic dance? It is because Shakti or divine energy, flows through his being and causes spasms and convulsions at first, and then rhythmic movements in attunement with the beat of the Cosmos. Amidst spiritual flames, Shiva dances rapturously, burning and transmuting all of the old outworn forms of life hindering cosmic progress.

In a microcosmic scale, a Shiva-dance likewise occurs to a practitioner of mudras. Spontaneous dancing may transpire as a result of the awakening of the life-force in the lowest psychospiritual center of the etheric body. While conducting the mudras the practitioner’s whole being would often move involuntarily. The physical body might sway forward and backward, left and right or rotate on its axis. His or her hands would move on their own accord in circles, in arches, in figure-eights, in a chopping upward-downward movement, or oscillate in a left-right or forward-backward direction; sometimes the hands are mysteriously placed at various layers of the aura, or even at certain focus points–at the chakras or energy centers of the body. While Shakti is active, she may also induce the practitioner to assume unlearnt mudras. The energies invoked through mudras have an intelligence all of their own and they do their work through movements. They know what to do to balance, purify, transform, or integrate celestial energies into the microcosmic system.

In the martial-arts field, hands are used as weapons of defense or destruction. The “Tiger’s Claw,” the “Iron Fist,” “the Drunken-style Fist,” etc, all indicate the manifold lethal forms that the hands may assume to strike an opponent or to ward off blows. In contrast to this, the finer arts make use of the hands constructively and creatively to produce wondrous objects of art, and to compose and produce heavenly music. Like the Cosmic dance of Shiva, the movements of Tai Chi, Pencak Silat, and other forms of self-defense have part of their origin in an awakened source of energy moving through the limbs producing involuntary movements. These movements were later noted down and turned into the various steps of martial-art discipline and training.

Some systems of metaphysical development teach us to move the body in a certain way. Though this has an effect in stimulating energies in the body it is not quite as effective in producing the desired results as when compared to the assuming of mudras that cause the energies to produce natural movements all of their own accord.

When we clasp our hands by interlacing our fingers, the thumb at the uppermost, whether right or left indicates which hemisphere of our brain predominates. Psychology tells us that if the right thumb is uppermost it is logic or reason that is predominant within us, or if the left thumb, intuition.

The hands play an important role in empowering the mind to function optimally. Since energy radiates from the palms and fingertips, they are often unconsciously utilized as stimulators re-connecting lost or poor links between synapses of brain neurons. In the book Body Magic, an important work on esoteric man, Benjamin Walker describes how the operations of the hands often attempt to improve the mental processes by certain placements:

“When the fingertips of the two hands are placed together, a circuit is set up with the brain that is believed to assist thought. People in deep thought will often talk with their fingertips pressed together, as if unconsciously aware of the need to establish such a current to assist their concentration. If a man wishes to recall something he has forgotten, his hand will instinctively touch his forehead to contact with his fingers the source of his thinking.”

From what has been written thus far, it is evident that hands play a prominent role in everyday life. This can also be seen in the way we have invented all sorts of idioms regarding them. For instance, “lend me a hand,” “hands-off,” “hand-in-hand,” “old-hand,” “hands-on,” etc.

The Application of Hands in the Spiritual Path

In the Spiritual Path hands are used for the following purposes:

As an instrument of healing.

As an instrument of blessing and consecration.

As an instrument of general service.

As an instrument of teaching.

As an instrument of purification, invocation, prayer, and communion.


As an instrument of healing

Chakras, or energy-centers are to be found all over the body. There is a chakra to be found in each palm of the hand. There is likewise a minor chakra at every fingertip. The size, activity, and power of these chakras are dependent upon various factors. One of these is the purity of the subtle channels terminating at those chakra points. These subtle channels or etheric nadis convey the life-force all over the body and may be projected outside of the body through the hand chakras. Healers of various metaphysical traditions make use of the hands to convey healing energy or to break up toxic crystals imbedded in the tissues. Since ancient times Chinese doctors have been diagnosing a person’s state of vitality through sensing the strength of the energy radiating from the hands, from the phalanges of the fingers, and the pulse at the wrist. Among the many systems of alternative therapeutics that make use of the hands are acupressure, Shiatsu, Chakra healing, Reiki, Rosicrucian Contact healing, Body Electronics, various forms of massage work, etc. Like Jesus the Christ, every Initiate on the Spiritual Path is essentially a healer, though he may not blatantly proclaim or advertise himself to be one. When circumstances and necessity calls for it he would gladly offer his services to the suffering one, always stressing, however, that it is not he that works, but the “Father ” within him.

As an instrument of blessing and consecration

Metaphysics teaches and proves through various experiments which may be personally verified by skeptics that energy radiates from the hands. This energy may be used to magnetize objects, places, spaces or people for various purposes. The religious term for magnetization is consecration. Blessing is a form of consecration. It refers to the magnetization of a human being rather than an object with a spiritual force. Generally, in the act of consecration or blessing we seek to raise the vibrations or frequency of a person or an object, or to empower it with certain energies that would turn it into a psycho-spiritual generator that would influence its immediate surroundings in a certain way. Thought-forms imbued with mental suggestions and emotional power are often attached to these blessings. Curses operate much in the same way as blessings, they however, bring about negative effects. The curse on Tutankhamen’s tomb is a classic example of this.

Where people are concern in the act of blessing, the metaphysical practitioner would also seek to clear obstructive or congested energies preventing the person from being aware of or communing with his or her Higher Self. Once this purification is achieved the person would possess a clearer line of communication with his hidden god or genius and acquire a stronger sense of protection, faith, and a constant guidance from the Most High.

In the act of blessing or consecration, the hands work in harmony with the power of the spoken word to modify the magnetic-field structure of people and objects.

As an instrument of general service

The hands are tools of service and humanitarian aid. Spiritually and socially, it is applied in extending a helping hand to our fellow beings, to those in need of bare necessities, comfort and solace. In spiritual teachings, karma yoga is often associated with the hands in active giving without any thought of remuneration or recognition. This is a vital principle. The desire to serve humanity must come from the heart without any thought of self or ego. Selflessness, self-sacrifice, and active service are important virtues that the spiritual aspirant has to embody and express at every breathing moment. When self-comfort, self-importance, and self-aggrandizement are the sole motives of help to others then the hands are misapplied and any act carried-out is unmeritorious. Spiritual disciples should not attract attention to the fact that they are serving. The best service is done quietly in the shadows without any fanfare or advertisements. The Master Jesus explained it concisely in this manner: “Do not let the left hand know what the right hand is doing.” Occultly, the left hand is used for receiving energies, while the right hand is employed for giving them.

As an instrument of teaching

Spiritual Gurus teach in various ways. They give teachings orally, in writing, telepathically, through example, symbols, drama, and by the use of gestures. The hands can convey lots of information when knowledgeably used. Symbolic movements of the hands may portray the workings of Cosmic laws and spiritual principles. It is said that a picture is worth a thousand words. Sometimes the hands may tell what the mouth cannot. A loving touch tells something that words are often unequipped to. In Zen Buddhism, the Guru often gives shock treatments to his students with the use of the hands. A rap on the head or a slap on the face at the appropriate moment and psychological condition after intense meditation is supposed to cause a student to suddenly apperceive the natural state of his mind and thereby become enlighten.

As an instrument of purification, invocation, prayer and communion

Perhaps the most common use of hands in religious and in metaphysical spiritual work is its application in prayer. Basically, this does not require any specialized knowledge. The hands are instinctively used when appealing to God, to higher intelligences for intercession or when used simply as gestures of adoration or reverence, just as we instinctively scratch our foreheads or pull our beards when we seek to arouse our mental powers. The hands may be clasped, outstretched or assumed in any other way that the heart dictates while in silent prayer. Esoteric teachings, however, teaches various mudras, or hand gestures that have specific purposes for the invocation of cosmic forces and spiritual beings. The liturgical formula “The Father, Son, and Holy Ghost, Amen” in the Christian Tradition accompanied with the touching of the appropriate points of the head and body at the conclusion of a prayer conveys a certain power to the etheric body when correctly done. However, the perfunctory manner in which it is performed provides very little of worth. In Hinduism, such placing of the hands upon certain parts of the body with magical intent is called Nyasa.

To commune with the divinity within us we may apply various mudras that facilitates mystical communion. Mudras establishes a psychic condition in the mind and body that temporary elevates our consciousness, and disperses the etheric webs that protects the psyche from being prematurely bombarded by psychic/celestial energies. It aligns and unites our objective consciousness with the superconscious mind. An altered state of consciousness is easily achieved through the use of the hands in the performing of mudras. Through mudras our communion with the so-called supernatural is controlled. We open and close the portals to higher worlds through the application of our will.

In ceremonial magick the hands are extensively used to direct and build up forces in one’s sacred place of worship and practice. Symbols are drawn on the ground or in the air with the power radiating from the hands and chakras to invoke and evoke cosmic metaphysical forces. The avatar Sai Baba is often seen making gestures in the air. He does this for the purpose of dispersing and cleansing the ambient surroundings and atmosphere from negative energies. The metaphysical practitioner or ceremonial magician makes use of the hands in manifesting certain things and conditions.

To conclude this article we would like to praise the hands for what they offer us–the opportunity to grow and serve. The fingers and thumbs of the hands should not quarrel among themselves as to who is the greatest, as related in some ancient fables, for they all have their place in supporting the need in us to further pursue our dreams, in fulfilling our earthly tasks and cosmic mission. The harmonious conjoined functioning of the fingers and thumbs of the hands is a metaphor for the right relationship and cooperation between the sons of men to manifest the Will of God, just as the fingers and hands manifests the will of its possessor. The noblest use of our hands is to extend it in friendship, in kindness and in unconditional love.

Copyright © 2006 Luxamore

Leonard Lee aka Luxamore

Metaphysical teacher, counseler, healer and merchant of occult/magickal items of Indonesia.
Magickal Items from Indonesia: talismans, mustika pearls, kerises, etc.
Magickal Bezoar Mustika Pearls from Indonesia.

Pretty crappy video of me performing Slydini’s torn and restored newspaper trick at an “environmental” fundraiser in Montreal
Video Rating: 4 / 5

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