Important Artists in Black Art Painting

by Torley

Important Artists in Black Art Painting

Since its conception, art in all of its various forms has been created for the sole purpose of the artist describing for the world his or her personal visions of a person, event, or place. As a result visual works of art leave the viewer with an impression of an extreme emotion. Whether that feeling is joy or the deepest pits of despair, the artist has done their job if something of their reality shows through their work. Painters of all races and ethnic backgrounds can surely relate to the “starving artist” theory. But for black artist the struggle has been a little more intense. Not only in the U.S. as the children of freed slaves, but unfortunately in their mother continent of Africa, Black American artists have faced discrimination and censorship. Fortunately both sets of unique, gifted artists are beginning to see some of the attention and praise they deserve. Black art painting is finally being seen for the huge contribution to history and the art world that it is.

Both sides of the world have produced amazingly gifted artists. In the Western hemisphere there are certain black men and women who paved the way for the African American artists of today. Horace Pippin is one of those men. After an injury in WWI, Pippin discovered his underlying talent for rich, historical painting. While he avoided the unpleasantness of life for a black man in the U.S. during that time period, he did produce black art paintings that spoke volumes to the viewer. His work was displayed in the Museum of Modern Art in 1938. A less known black artist that contributed to the black art movement in the United States is Walter Ellison. His most famous work is “Train Station” located in the Art Institute of Chicago. That painting is an honest look at the difficulties facing black families as they migrated north in the hope of a better future than the south could or would offer. These two exceptional black artists help give hope of recognition to the many gifted black artists that were to follow.

The scenario for artists from and living in Africa is different though. Despite the struggles with racial discrimination and inherent prejudice in the U.S., African artists are faced with even more difficult issues. Apartheid and censorship have long plagued this long suffering group of artists and painters. While expressing their views of the political unrest and unfair treatment, African artists have been subjected to severe punishment and censorship unheard of in the West. Thanks in part to the academic world’s growing interest in the work of the modern black artist, black art painting is receiving more attention and registering in the minds of museum curators and art galleries alike. Most of the credit belongs to the fortitude and artistic expression of the African artists themselves.

From its humble beginning in rock painting to its depictions of slavery, apartheid, and injustice, black fine art is an expression of the feelings and emotions of a diverse, racially unified community of artists. The rest of the world now has the opportunity to see and experience this unique form of painting.

Mr. Moyo Ogundipe has a Bachelors of Arts degree in Fine Art from the University of Ife, Ile-Ife, Nigeria and a Master of Fine Art degree in Painting from The Hoffberger School of Painting, Maryland Institute College of Art, Baltimore, USA.

One of Africa’s most celebrated and renowned contemporary black American artists, Mr. Ogundipe has exhibited extensively in Africa, Europe and the USA. His paintings have been described as hypnotic, colorful and densely patterned.

In 1996, Mr. Ogundipe was awarded the Pollock-Krasner Fellowship. And in 2005 he was invited to become a member of Africobra, an organization founded in the 1960s and whose membership comprises of distinguished African-American artists.

Find and buy black art prints from Moyo Ogundipe at www.Maigida.com.

Amiri Baraka reads his poem Black Art with Sonny Murray on drums, Albert Ayler on tenor saxophone, Don Cherry on trumpet, Henry Grimes on bass, Louis Worrell on bass, for the album Sonny’s Time Now. The first album lead by Sonny Murray, Sonny’s Time Now was released on Baraka’s Jihad records in 1967. Decades later it was reissued by DIW in Japan in a limited edition. Black Art remains one of Baraka’s most controversial poems, even at this late date. Composed and recorded with the fires of Black Nationalism fanned to a high flame, it remains innovative on a number of levels, technical and social. The demand that poems ought wrestle cops into alleys, fly planes, shoot guns, remake the world, are bullshit unless they are lemons piled on a step, &c. are but a few examples. The work also provides a snap shot of some of Baraka’s thinking prior to his movement away from Black Nationalism and into Third World Marxism, or MLM. In terms of jazz poetry, or poetry and jazz combos on record, this would have to rank among the highest historical examples. Image selection and editing are by Justin Desmangles.
Video Rating: 5 / 5